Rhetorical Analysis Of The Great Gatsby - 1508 Words

Rhetorical Analysis for the movie The Great Gatsby In the film of The Great Gatsby, based on the novel, Director, Baz Luhrmann shares the elaborate tale of the infamous Jay Gatsby. Taking place in the era of the 1920’s, also known as the roaring twenties, Luhrmann is able to bring the film to life by constructing breathtaking scenery creating a glamorous environment full of ecstasy in order to make the modern day audience get a feel for what life in that time period would have been like today. Though the story is about the main character, Jay Gatsby desperately trying to rekindle the spark he once had with his past love Daisy, Luhrmann infers that this is more than just another film about hopeless love. Throughout the film Luhrmann there is much evidence that reveal the overall theme of the story. Through the overdramatic characters, who seem oblivious to consequences of their actions, as well as the events that take place toward the end of the film, Luhrmann looks to show the audience the destructiveness of money, wealth, and the American Dream. As the film concludes, the narrator, Nick Caraway, solidifies that the purpose of telling the story of The Great Gatsby is to reveal how hopes of achieving the American Dream can corrupt and degrade the human spirit. Throughout the movie, life in the 1920s is portrayed as a moral wasteland. Specifically the lives of the â€Å"Old Money† and â€Å"New Money† wealthy individuals are the ones creating this moral wasteland. However, beingShow MoreRelatedRhetorical Analysis : The Great Gatsby 966 Words   |  4 Pagesthis contributed to his the success he had with his goals as a dictator. In Hitler’s Book â€Å"Mein Kampf† (1925) he states, â€Å"I know that men are won over less by the written word than by the spoken word, that every great movement on this earth owes its growth to great orators and not great writers.† This powerful quotation speaks volumes about Hitler’s understanding of utilizing the spoken word in order to influence his followers. Throughout Hitler’s rise to power and reign as a dictator he gave moreRead MoreRhetorical Analysis Of Douglass s The Great Gatsby 1208 Words   |  5 PagesMessage: Douglass wants his audience, the American public, to know that he earned his freedom. Freedom is something that each of us must look for in order to be truly â€Å"free.† Through the personal experiences of his own life as a slave and his perseverance to become educated, Douglass shows us that it requires persistence and bravery to look for freedom. He also illustrates to the audience that there is no real end in thi s search for freedom until slavery is fully abolished. Purpose: Douglass wroteRead MoreRhetorical Analysis of The Great Gatsby by F. Scott Fitzgerald830 Words   |  3 Pagesstrive to write books that have a purpose, including the author of The Great Gatsby, F. Scott Fitzgerald. The author strives to display multiple purposes to readers through strong, sophisticated writing. The purposes Fitzgerald shows in The Great Gatsby include that substance in relationships matters, the truth is important, and that actions have consequences. Fitzgerald executes the purposes successfully by using rhetorical choices such as irony, homilies, simple dialogue, similes, and syntax Read MoreDreams And Failure Of The Great Gatsby By F. Scott Fitzgerald1022 Words   |  5 Pagesrealistic reactions to the present. Steinbrink describes this action as an attempt to â€Å"alter reality in order to bring it in line with [one’s] dream.† Several characters in Scott Fitzgerald’s novel The Great Gatsby become encumbered by their dreams and unable to act on reality as it is. The Great Gatsby himself, was the most prominent victim of â€Å"shedding his humanity and becoming a manipulator rather than a participator in events† (Steinbrink). His vision of recreating his past love affair with DaisyRead MoreRhetorical Analysis Of Cesar Chavez s Article1915 Words   |  8 Pages It’s hard to imagine that just ten short months ago I was sitting in a classroom building a spaghetti tower with no idea what a rhetorical analysis essay was or what the word anaphora meant. Now, just a couple of months later, I have read and analyzed six different novels, learned to write an argument, synthesis, and rhetorical analysis essay, expanded my lexicon of literary terms, and sat through a three hour AP exam. This class has not only given me the skills to master the AP exam, but it hasRead MoreTruman Capotes In Cold Blood1591 Words   |  7 Pageswhich an event is reported using traditional literary and rhetorical conventions to expose broader truths concerni ng humanity as a whole without going astray from the truth (â€Å"Nonfiction Novel†). Capote had long felt that journalism could expose broader truths concerning the human condition that fiction could not, as Capote explains in this excerpt from Inge’s Truman Capote: Conversations: I’ve always had the theory that reportage is the great unexplored art form. I mean, most good writers, good literaryRead MoreThe Great Gatsby By F. Scott B. Fitzgerald1635 Words   |  7 Pagesspeech, unlike those whom are lower class that do not think before they talk. 2. Compare the use of first person narration of the protagonist in Their Eyes Were Watching God to the use of first person narration of a secondary character in The Great Gatsby. What is the effect of having Nick tell Gatsby’s story versus Janie telling her own? Is Nick a reliable narrator? Is Janie? a While Janie tells her own perspective of her American Dream, Nick is under the impression of admiration towards Gatsby’sRead MoreStudy Guide Literary Terms7657 Words   |  31 Pages AP Literary and Rhetorical Terms 1. 2. alliteration- Used for poetic effect, a repetition of the initial sounds of several words in a group. The following line from Robert Frosts poem Acquainted with the Night provides us with an example of alliteration,: I have stood still and stopped the sound of feet. The repetition of the s sound creates a sense of quiet, reinforcing the meaning of the line 3. allegory – Where every aspect of a story is representative, usually symbolic